A STARVING MAN LOOKS FOR A PIANO excerpt from WANDERLAUGH
ADS excerpt
GARDENING IS A STATE OF
MIND excerpt
MIMBLY TALES excerpt
THE THREAT HAMSTER PAPERS excerpt
SHERIDAN DERWYDD-excerpt from the book
DUCKS DON'T PLAY ACCORDIONS-excerpt from WANDERLAUGH
MUSIC IS "JAZZJAM"
THE ACADEMY OF ARTISTIC COWARDICE (FROM WANDERLAUGH)

Lost For Words...

Our English language stems from centuries
Of Anglo-Saxon, Celt and Norman entries
Not to forget the Romans and the Danes
And others who went to similar pains.

So now the English language stands alone
We relish every piece of Shakespeare's tone;
Can we improve upon perfection?
Perhaps we can, upon reflection.

Our literary experts freak
About non-rhyming English-speak
How can it be true
That "sew" does not match up with "few"
Still more, there is a yet non-invented verse
To make the situation worse and worse.

Behold the as-yet undiscovered words.

Why should L have Lamp and Limp and Lump
Lacking still a Lemp and Lomp,
While Bump and Jump stand all alone -
No Bamp or Jimp or even Bomp.
And R survives with Ramp and Romp and Rump;
But where are Rimp and Remp?
Poor D exists with Damp and Dump,
Unlucky Camp stands on its own.

And other words must cry at night
Because they share that awful plight
Of being words that have a sound
For which no meaning is yet found.

Could it be that Fost and Fust
Will linger in perpetual rust;
Hend and Hond and Hund await
Promotion to the language great.

Can all the wasted vowels be used
Or will it make us more confused?
Then we would find that Shakespeare's tongue
So stretched out to the furthest rung,
When use of Bemp and Demp and Jemp abounds
To force us into different sounds

One day a Government decree may state
That there is need to legislate
Due to the dearth of legal refrain
We must perforce the new words entertain.

But should we all the words employ
How can we find it to enjoy
Upon resorting to the dictionary
To learn that all new words are fictionary.

Perhaps there is a world
Where all these words have been unfurled?


N. J. Goyen



Copyright N.J. Goyen All rights reserved.
    This poem is by my uncle; for those
    who've been following Cambridge
    University's...Er, interesting...  
    attempts to add ever more
    homonyms to the English language,
    here's a few options. Try reading
    Fowler before stuffing up the usage
    any more, lads.
THE BOOKS
FOR ART'S SAKE
excerpt from  
GOTHIC BLACK
DOES AUSTRALIA HAVE A FUTURE- excerpt
from Wankers' Wonderland
Elizabeth the First- excerpt from War Is A State Of Mind
SOCIAL CAPITALISM
    All these books are available from www.lulu.com as e-books,
    usually $5-10.00 US each for e-books and various prices for hard
    copies. (PDF format)
    (The link above is a direct link to my store. Thumbnails also link
    directly to the store, and will open in a new browser window.)

    PLEASE NOTE: THESE THINGS ARE NOT THE USUAL E-BOOK 20
    PAGE BROCHURES, SOME OF THEM ARE 1.5 MB, AND THE
    ORIGINALS ARE OVER 300 PAGES.

    IMPORTANT: CONTACT ME IF YOU HAVE ANY PROBLEMS.  
THE REVENGE OF
THE WRITER- excerpt
from GOTHIC BLACK
    The Threat Hamster books are the
    preferred writing style and subject
    matter, purely creative.  The Threat-
    Hamster Papers, Mimbly Tales, and
    Wanderlaugh are an attempt to get
    away from the inflexible, pedantic
    styles of commercial writing, as well
    as a lot of fun. If anyone has as much
    fun reading these books as I had
    writing them, they're a good deal.
    MImbly Tales is the more developed
    form of the original Threat-Hamster
    idea. It's one of my all time favorites.
    The stories are based on the neo-
    Celtic idea, and the Idea of Ultimate
    Comfort, when I came up with it, was
    irresistible to explore.
    Wanderlaugh is the precursor idea for a jazz
    opera, as well as being my internet name. It's a
    book which is more free-form than the two
    previous Threat-Hamsters, and the intro is the
    basis for a new style of writing I'm trying to
    develop.
    Ads is the book that wouldn't go away. It
    was originally written ten years before, but I
    wasn't happy with the way it was working.
    This version was written as much by the
    characters as myself. It's set in my home
    town of Sydney, it's fun, and it's a blast to
    write.
Gardening is written in the
Anglophile style, for which I
refuse to apologize.

It's just plain fun, it's written for
gardeners and their long
suffering families, and
gardeners will recognize the
mindsets.
Gothic Black started as a
series of horror stories I
didn't want to include in the
new Threat-Hamster. It grew
into an idea in its own right.
From the Toothpaste Man of
Pithcurdle to Moth The
Monster and the War of the
Undead was just a step.
Writers will understand
what's so horrible about the
Revenge piece below.
    Freelance writing is fun, but it can
    be a long hard slog, as I've
    discovered. It all has to be learned.
    This is a short book, but a very
    necessary one, no added sweetener
    included.
    My heart goes out to those people I
    see on every writer's forum, plagued
    by The Writer's Curse. It is beatable,
    and this is how you do it.
    I spent 20 years in
    customer service.
    To me, the lousy
    service, shoddy
    products, and lack
    of comprehension
    are all part of a
    failed society. This
    book is from the
    coal face.

    A study in character,
    or how to live with
    yourself on your own
    terms.

    Fun to write, but a bit
    more serious than my
    normal stuff.
The Good Manager is
about the basics of
managing like a human
being, not a zombie.

Couldn't really resist
writing this one.